400 Words


About 400 Words

400 Words is a storytelling project. It is a print magazine and a website, consisting of true stories, none over 400 words, by ordinary people on assigned themes. It's about the documentation of everyday life, saying a lot by saying a little. You can learn more, or order a copy, or tell a story of your own.

Print Issues

400_cover.jpg

Issue 2, Compulsions:
What can you not not do?

400_cover.jpg


Issue 1, Autobiographies:
Tell the whole story of your life in 400 words or less.

Search

Looking for something? Check the archives or search us.

Subscribe

  Sign up for the RSS feed.

For Further Enjoyment

52 Projects
Evil Twin Publications
Found Magazine
Guilt & Pleasure Magazine
Learning to Love You More
The Lost Love Project
Microcosm Publishing
Opium Magazine
Peter Arkle
The Public Journal
Quimby's
Smith
StoryCorps
UpRightDown

Mercy

by Rachel—Age 32—Madison Lake, MN

I skip work on a Thursday morning to meander through a Renaissance painting exhibit at the Minneapolis Institute of Arts. Rooms of angels, Jesus, saints in ecstasy. I’m reminded of my Catholic upbringing, when statues of the dead peered down at me every Sunday morning.

Then, one painting stops me, forbids me to move forward. An artist I’ve never heard of—Matthew Sweerts from Holland. A title, “Burial of the Dead.” I stand there for a minute, two, five, because my dad buried the dead. And here, two men doing the same, four centuries before.

They clearly struggle; their faces pinch. An older man grabs the corpse under the arms. A younger, stronger man, muscles straining, takes hold of the feet. A white cloth threatens to slip off the newly dead, and his head slumps. This act, this reverent burial, was considered a good deed by the Catholic Church, one of Seven Mercies.

It is mercy that describes my dad’s job, though I haven’t thought of it in those terms until I see this painting. Dad labored over his graves. He scooped out most of the dirt with a backhoe. But he always jumped down into every hole, hundreds of them over a 14-year career, to carve the corners with a shovel, to make the sides precise and straight. After the graveside service, Dad used the shovel to pitch dirt into the crevice between the vault (with the casket inside) and walls of the grave. Then he jumped in again, soil compacting under his 220 pounds. This way, the dirt would not settle, no unsightly sinkholes to later puncture the cemetery landscape. Dad replaced the sod on top, and I helped water grave grass all summer to keep it fresh and green. Within a few weeks, no one could tell a grave was dug. The ground subsumed the dead.

The dictionary defines mercy as an inclination toward kindness. That’s how I saw Dad; kind to the earth, kind to the people going into the earth. He gently guided bodies to their final rest, just as the men in Sweerts’ painting. And when it was Dad’s time to sink into the earth, his friend, the gravedigger from the neighboring town, saw to it to be merciful as well.


2 Comments

Nicely compact. The last paragraph is beautiful. I look forward to the memoir.

Posted by Dinty on 2 October 2007 @ 10am

Just your sister here, hiking through your blog, when I stumbled upon this. You bring dad back to life with your words. I feel as though he is reading it with me, looking over my shoulder. The last paragraph brough a tear to my eye. Well done.

Posted by Renee on 3 November 2007 @ 4pm

Leave a Comment